Well - here goes. This is my first "critique" on dA. I have refrained from doing this here but in your case, I'll make an exception!
Overall I like your image very much and probably mostly so not just for your impeccable technique but also for the image's story and it's compositional and tonal impact.
I think that your choice of landscape presentation as opposed to your trademark square format presentation works perfectly well with this image and its leading actor - the bicycle.
The handlebars are just born for a widescreen look in this particular image and its contextual scene. Their horizontal diagonal oozes a kind of sympathetic mood with the landscape. Both they and the lamp give a nice lead in to the scene of the image itself and help to create a frame within the image. As our eyes run into the image and travel through the lamp and up the handlebars and down through the handle, we notice the man walking on the other side of this lane way. This is a nice touch. I like images with this kind of structure to them.
I think that this sets your image apart from ordinary lane and/or bike shots because there is something to wonder about especially in relation to the guy and the bike. Hidden corners is a good title I think because the image isn't so straight forward as appears on first glancing. It also brings forward the curious imagining of what lies around the next bend in a curving lane way, apart from a crouching photographer!
I like that the image has a feeling of age to it. Partly this comes from the bike itself - it's an old one by the looks of it and probably has a story or two to tell if it could speak. Film Noir movies come to mind here and makes me wonder about the guy even more.
Looking at the rating system to the right then I have to say top marks for vision on a scene that probably isn't all that original but done with your own individual style. You have a great knack of 'seeing' an image in a very ordinary situation.
There are few to equal you with technique. The b/w conversion is immaculate with fantastic tones and all in all it packs a pretty good punch - for me.
Daily Literature Deviations is a group that is dedicated to bringing literature to the forefront of the deviantArt community. We attempt to accomplish this by daily featuring Literature artists from around the community that deserve the recognition, but are not getting it.
To help support the Literature community we hold regular contests. It is an opportunity for you to get involved and gain some exposure. Contest winners will be featured in a news article and a journal entry--as well as other fabulous prizes. Please read this article for more information on how you can participate!
Across the globe, 27 million men, women, and children live in some form of slavery. That is more people at this moment than in all the centuries of the Atlantic Slave Trade. Something must be done. This contest serves two purposes: Raising awareness about human trafficking and raising funds for the Not For Sale organization.
Open to all mediums. Deadline is March 10, 2010 @ 11:59pm PST.
Daily Literature Deviations is a group that is dedicated to bringing literature to the forefront of the deviantArt community. We attempt to accomplish this by daily featuring Literature artists from around the community that deserve the recognition, but are not getting it. Each day we will feature 5 deviations from the Literature categories in a News Article.
In order to support the artists that we feature, we ask that you the news article as well as check out the individual pieces. We understand that each day you may not be able to check out each and every one of the pieces, everyone has their own things going on. We just ask that you make an attempt to help support the growing Literature community.
Although `DEVlANT joined our community only a year ago, he's made sure to make his mark in as many ways as possible. From extensive bug testing around the site, to heading up the now infamous #devBUG Group, Martin's always eager to get involved. His inquisitive mind and enthusiastic personality is reflected in every part of the community which he reaches out to. Always eager to bring suggestions and feedback to us in a positive way, `DEVlANT shows a maturity way beyond his years. It's with great pleasure that we award very first Deviousness of 2010 t... Read More
Critiques
Well - here goes. This is my first "critique" on dA. I have refrained from doing this here but in your case, I'll make an exception!
Overall I like your image very much and probably mostly so not just for your impeccable technique but also for the image's story and it's compositional and tonal impact.
I think that your choice of landscape presentation as opposed to your trademark square format presentation works perfectly well with this image and its leading actor - the bicycle.
The handlebars are just born for a widescreen look in this particular image and its contextual scene. Their horizontal diagonal oozes a kind of sympathetic mood with the landscape. Both they and the lamp give a nice lead in to the scene of the image itself and help to create a frame within the image. As our eyes run into the image and travel through the lamp and up the handlebars and down through the handle, we notice the man walking on the other side of this lane way. This is a nice touch. I like images with this kind of structure to them.
I think that this sets your image apart from ordinary lane and/or bike shots because there is something to wonder about especially in relation to the guy and the bike. Hidden corners is a good title I think because the image isn't so straight forward as appears on first glancing. It also brings forward the curious imagining of what lies around the next bend in a curving lane way, apart from a crouching photographer!
I like that the image has a feeling of age to it. Partly this comes from the bike itself - it's an old one by the looks of it and probably has a story or two to tell if it could speak. Film Noir movies come to mind here and makes me wonder about the guy even more.
Looking at the rating system to the right then I have to say top marks for vision on a scene that probably isn't all that original but done with your own individual style. You have a great knack of 'seeing' an image in a very ordinary situation.
There are few to equal you with technique. The b/w conversion is immaculate with fantastic tones and all in all it packs a pretty good punch - for me.
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